I replied, “I’ll admit I wrote the post tongue in cheek. I was wanting to point out my own tendencies in photo selection as much as anyone else’s. But on the other hand, I meant it when I said we need more and better photos, so I’m happy that people are asking how they can contribute to the cause. I think it’s great that people with photographic skills are looking for ways to use their talents and creativity for A Life Overseas, and we’re brainstorming ways to help make that happen.”
Well, our brainstorming has led to a solution—a place for storing your pics (in Flickr) where they’ll be available to authors at A Life Overseas but not accessible by others.
So consider this an unambiguous plea: If you’d like to share your photos with us, please send them to firstname.lastname@example.org. (A maximum width/height of 1000 pixels should do.) By submitting your pics, you’re giving ALO writers permission to use them, but you’ll retain your copyright, and we’ll credit you when your photos appear. If you’d like, label your pics with any important information, and make sure you’re not sending us any images that shouldn’t be posted in public spaces.
Thanks to those who’ve already sent pics our way, to those who’ve asked about next steps, to those who’ve already taken photographs inspired by my suggestions, and to those who will continue to add to the collection. Thinking about all that makes me happy.
When I wrote my post, I wanted to think I could bring smiles to some faces. Your response is bringing a much bigger smile to mine.
From a recent edition of the weekly web journal Brigada Today, I found out that there’s a photography conference, “Depth of Field,” coming up, February 7 and 8. It’s designed for pro photographers, but I’m thinking that means amateurs could learn even more from it. And it’s in New York, but the “Main Stage” and “Exposure Stage” presentations will be live streamed. (By the way, if you’re not familiar with Brigada, you might want to check it out. It’s a great place for receiving and sharing all things related to cross-cultural work.)
Why is a conference for photographers relevant to you, dear readers? Because I know some of you like to take photos, and some of you are rather good at it, too. And for those of you, I have a favor to ask. Could you help out us cross-cultural bloggers? It’s not easy finding good photos for the kind of topics that show up in our writing, and, frankly, it can end up adding a last level of stress before we hit the publish button. (Is it really what I’m looking for? Is it appropriate? Has it been used here before?!!)
Take, for instance, the picture at the top of this page. You may have noticed that it’s the same photo as the one I used for my post in July. Or you may just be thinking, “Ugh, another generic plane-wing-out-the-window shot.” Either way, it’s not ideal.
But that’s what we need, some “ideal” photos of, by, and for cross-cultural workers. You may already have your own ideas. If not, let me plant some seeds in the fertile field of your creativity. You’ll no doubt recognize some of these tried-and-true images, but I’m asking for an increase in quantity and quality: quantity, so that we don’t have to reuse the same photos again and again (see above), and quality, so that it doesn’t seem as if we’re using photos again and again (ditto). So when you read “more” below, think “more and better.”
Oh yeah, and free. Free, as in creative commons or public domain.
So more and better . . . and free.
For instance, there aren’t enough photos of world maps and globes. We need more photos of unique maps and globes, antique maps and globes, and maps and globes labeled in non-English languages.
If I were to say that I was “fancy like Applebee’s” you might make some assumptions about me. For instance, I might be an American, not the richest guy in the world, and someone who listens to country music in his pickup truck.
And if you don’t fit into all those categories, you might wonder what “fancy like Applebee’s” even means. If that’s the case, two step over to YouTube to hear Walker Hayes’ top-ten country-western song from last year. In “Fancy Like,” Hayes sings that his “low maintenance” lady is usually content with eating at Wendy’s,
But every now and then when I get paid I gotta spoil my baby with an upgrade
Yeah, we fancy like Applebee’s on a date night Got that Bourbon Street steak with the Oreo shake Get some whipped cream on the top too Two straws, one check, girl, I got you
Similes (those “like” and “as” phrases) show what we know. They reveal what we identify with and how we use that to describe the things around us, things that are new, or old things that we want to help others see in a new way. Sometimes they get it. Sometimes they don’t. That’s the way it is for country-music stars, and for cross-cultural workers, too.
So if you’re fancy like Applebee’s, it might be because that’s where you go for a a Bourbon Street Steak during your once-a-year trip to the city to get your documents approved or to make a supply run. Or you could be fancy like Swedish meatballs in the IKEA cafeteria. Or fancy like a hotdog combo, with extra sauerkraut, at the Costco snack bar. Or fancy like a Caffè Mocha at the window table in Starburks, (yes, I do mean Starburks).
That’s how we do, how we do, fancy like . . .
In that spirit, here are a few similes I’ve come up with. Some are based on my own experiences overseas, and some I just imagine might be true for others. I hope they make sense to you, but more than that, I hope they inspire you to come up with your own. Give it a try. . . .
These don’t mean the same thing, at least not to me.
Paul uses the word soldier to describe someone faithfully acting in obedience to God when he exhorts Timothy, “Join with me in suffering, like a good soldier of Christ Jesus” (2 Timothy 2:3 NIV). It’s a good thing to be Christian soldier.
But when we use soldier as a verb, such as in soldier on, it can take on a different meaning. Around the early 1900s, to soldier on the job was introduced, meaning, oddly enough, to act as if you’re working hard while only putting in minimal effort. And then the mid 1900s gave us the shorter to soldier on, which means to keep going in the face of difficulty or trouble.
In this latter sense, soldiering on, too, is a good thing. But that’s not how the phrase often comes across today. When I hear “soldiering on,” I think of a joyless trudge, just putting one foot in front of the other without resting, without taking time for reflection, without asking questions, without sharing heartfelt emotions, without asking for help or relief or sympathy or grace.
Returning to the States after serving overseas was a hard time for my wife and me. We were grieving our losses and were struggling with the difficulties we’d already faced and those we saw ahead. We prayed and prayed but didn’t receive clear direction from God. In our spiritual malaise it was hard to slide back into a church service and cheerfully sing praise songs. So we often stayed seated while others stood, and prayed silently while others sang.
While we didn’t hear the audible voice of God in answer to our prayers, we did read the words of David in communion with our prayers:
How long, Lord? Will you forget me forever? How long will you hide your face from me? How long must I wrestle with my thoughts and day after day have sorrow in my heart? (Psalm 13:1-2a NIV)
We still sometimes find ourselves sitting and praying during our church’s worship service, and we still sometimes call to God with the opening words of the 13th Psalm. So when I saw syndicated columnist Terry Mattingly’s post at On Religion last month, “Open Bible to Psalms: What Messages Are Seen There but Not in Modern Praise Music?” it caught my attention. And then as I read on and saw him quoting Craig Greenfield, a past contributor to A Life Overseas, I was pulled in.
In his essay, Mattingly discusses Michael J. Rhodes’ analysis of the 25 top Christian worship songs (from a ranking by Christian Copyright Licensing International). Rhodes finds that in their lyrics, justice appears only once, enemies “rarely show up,” and there is no mention of the poor, widows, refugees, or the oppressed, even though those are common themes in the Psalms. “Maybe most devastatingly,” he writes on Twitter, “in the Top 25, not a SINGLE question is ever posed to God.”
Craig, who has spent years living among and working with the poor overseas, responds by lamenting the lack of lamenting in our worship, the absence of mourning with those who mourn over the state of a world that’s “all messed up.” He writes, “Sometimes it’s a broken, evil place and His Kingdom has not yet come in full.”
The Psalms often express lamenting in blunt questions posed to God, questions such as “How long?”
The following is a compilation of several posts that I wrote for ClearingCustoms.com. I gathered them together to publish them at A Life Overseas:
Over the years I’ve created a collection of new terms for old things—things that are common to traveling and living overseas but that haven’t had common labels. Most of them have come to me while I’m in the air, looking out the window or thumbing through an inflight magazine.
I’ve posted these before on my blog, but I’ve yet to hear anyone use a single one in casual conversation, so I’m thinking they need a broader audience. I hope that some of these can make their way into your vocabulary. I’ll keep my ears open.
bait and glitch You find a cheap plane ticket online and go through all the steps to buy it, double and triple checking all the details, and then when you select “confirm,” you get that encouraging message that says, “The fare you’ve selected is no longer available.” Maybe it’s because the search site wasn’t up to date or because someone else recklessly grabbed the last seat while you were prudently making up your mind. If it’s the latter, it just proves the old standard, “Time flies when you’re choosing flight times” (or something like that).
direct flight to the dog house This is what you receive after you proudly show the money-saving itinerary—that you just booked—to your spouse, and said spouse points out that it includes a 14-hour layover (also known as a “wayover”) and that you and your four children will need to collect all checked baggage between each of the five connecting flights. Travel to the doghouse does accumulate frequent-flyer miles, but they can only be redeemed for undesirable trips, such as to overnight stays on the living-room couch.
metapacking Carrying a suitcase in a suitcase so that you can bring back more stuff than you take. This can be as simple as a duffle bag inside another piece of luggage, but in its purest form, it is a checked bag precisely fitting inside another checked bag. The term metapacking can be extended also to encompass using a cheap or broken suitcase to transport items one way and then disposing of that suitcase after you arrive. Seasoned travelers always keep a broken suitcase lying around.
eurekathing Something you find inside your luggage when you start packing—something you haven’t seen since your last trip. Discovering it brings out such responses as “Oh, that’s where that is,” or “I do have one of those.” A wad of ten-dollar bills is eurekaching, a piece of jewelry, eurekabling.
tetrisness The feeling of accomplishment one feels after packing every necessary item just right in a suitcase. A landmark study out of the University of Gatwick-Hempstead shows that tetrisness activates the same portion of the brain as when one successfully folds a fitted sheet.
TSAT The TSAT (pronounced Tee Ess Ay Tee or Tee-Sat) is an oral exam in which family members yell questions and answers from room to room concerning Transportation Security Administration regulations:
Is it the 3-1-1 rule or 1-1-3 . . . or 3-2-1 or 9-1-1? Does deodorant count as a liquid? What about wet wipes? Or snow globes? Or chocolate-covered cherries? Can I take nail clippers in my carry-on? What about tweezers? Duct tape? Scotch tape? Chopsticks? Toothpicks? Javelins?
fortnightlies Countless requests—for coffee, a get-together, or a meal—made by friends who have just realized that your departure for a long or permanent stay is only. two. weeks. away.
vontrappish How you feel when you’re ready for bed the night before a morning flight, with all your luggage placed neatly (more or less) next to the door—lined up like the von Trapp family ready to sing “So Long, Farewell.” You may have mixed feelings, and you may or may not sleep. In extreme cases, you hear yourself humming the tune.
flotsam and jetsam and thensam The abundance of things that people give you and your children right before you leave for the airport or get on the plane. This includes gifts, souvenirs, snacks, word-find and sudoku books, coloring books with a four-pack of crayons, and those faces with metal shavings that you form into a beard with a magnet.
disafearance Leaving your tightly locked up (?) house thinking you might have left the iron on (even though you don’t remember having done any ironing) is one thing, but watching your hand zip your passport into the front pocket of your backpack and then just two minutes later checking to see if it’s actually there because you’re afraid that you didn’t in fact zip your passport into the front pocket of your backpack but instead, due to a muscle spasm, may have opened the car window and tossed your passport onto the shoulder of the highway—or what if it just spontaneously combusted, leaving no smoke or ashes? That’s disafearance.
duffling Upon hearing the counter agent at the airport say that your checked bag is three pounds overweight, you feign frantic action by grabbing zippers, patting your pockets, turning in circles, and saying things such as “I could . . . ,” “Well, I . . . ,” and “What can . . . ,” hoping that the ticket agent will take pity on you and say it’s OK. Be careful that your duffling isn’t too aggressive or the agent will actually let you follow through on solving the problem.
terminal fowliage Birds that have somehow gotten into an airport and fly around amongst the rafters and indoor trees. Birds stuck inside a place where people come to fly. Sense the irony?
flaggle A flaggle of tourists is a group of middling to senior travelers, led by a tour guide with a flag and bullhorn. The flag is akin to the kind I and my friends used to bolt onto our banana-seat bikes when we were kids. Oh, if only we’d had megaphones, too. You can tell that the flaggle is on the return leg of their trip when you see them bringing home food and souvenirs packed in large, branded gift bags or boxes with tied-on handles.
making a this-line’s-not-for-you-turn After standing patiently in an airport line for fifteen minutes and realizing that it doesn’t lead where you need to go, you nonchalantly walk away—as if standing in lines is simply your hobby and you’re now looking for another place to queue up for more pleasant amusement. (Aren’t you glad you came early?)
shuftle The standing-room-only shuttle bus at some airports that shuffles passengers on the tarmac from plane to airport terminal (or vice versa). This word can also be used as a verb.
Sadow-Plath effect Happens in the moment when you accidentally kick a pulled carry-on with your heel and it flips onto one wheel and mo.men.tar.i.ly balances before flipping completely over or wobbling back to both wheels. This brief pause at the top of the carry-on’s arc is actually a tiny breach in the space-time continuum, caused by the rapid upturn of the luggage in combination with the forward motion. The effect is named after Bernard D. Sadow, inventor of the wheeled suitcase, and Bob Plath, creator of the rollaboard.
glizing Glizing is the act of experiencing the wonderfully smooth exponential forward motion as you stride confidently on an airport’s moving walkway. This only happens when you’re not in a hurry, in part because, as studies show, the walkways do little to speed you up, and often slow you down.
BlackNSquare When you try to describe your piece of luggage at the lost-luggage counter, all you can remember is that it’s part of the BlackNSquare line made by the Yuno company. Question: “What Kind of luggage do you have?” Answer: “Yuno, BlackNSquare.” Yuno also makes the upscale models BlackNSquare with Handle and BlackNSquare with Wheels.
preseating To sit down, with plenty of time before boarding, able to relax because your bags are checked, you’re definitely at the right gate, and a quick look shows that your passport is right where it’s supposed to be. You take a deep breath and contemplate the hopeful possibilities of your trip. You can charge your phone, read, or people watch. You’re free to walk about and might grab a cup of coffee, browse the bestsellers in the bookstore, or window shop expensive luggage and watches . . . and on the way, you can go glizing.
passenger of imminent domain This is the person directly in front of you on a plane who, upon sitting down, immediately pushes their seat back as far as it will possibly go. Intuiting that something must be hindering it, they try to force it back farther, again and again. There. Must. Be. Something. Keeping. The. Seat. From. Reclining completely flat (possibly your knees). Finally, leaving the seat fully back, they lean forward to watch a movie.
chipillow The bag of snacks that you bring from home that bloats up once you reach higher altitudes. With care, it can be used to rest your head on, due to the fact that it’s in the same food group as the neck croissant.
FASL Flight Attendant Sign Language. Includes such specialized hand maneuvers as indicating the exits by extending the arms to the side, palms forward, pointing with two fingers, Boy Scout style, and mimicking the pulling of life-vest inflation cords using the crook of the thumb and first finger with the other fingers fanned out, subliminally showing that everything will be “OK.”
single-entré seating The rows in the far back of the plane where you no longer get a choice between the brazed beef medallions over a wild-rice pilaf and the broiled fish and mashed potatoes. You get the fish.
cartnering This is the act of hovering next to the food cart as it’s making its way down the aisle. Timing a trip to the bathroom with the distribution of meals is truly an art form, and it is best done passive-aggressively (such as by wearing a smile while dancing from one foot to the other).
Silent Gotcha Port The “SGP” is the small screw hole on the seat armrest that looks as if it must be the place where you plug in your earphones.
Queen Ramona’s Veil The dark mesh curtain that separates business class from coach. Its main purpose is to protect those in the front of the plane from projectiles thrown by the riotous mob behind, who are known to catapult dinner rolls at each other using slingshots fashioned from their airline-provided sleep masks and who sometimes divide into teams for prolonged games of ultimate Frisbee. In small planes, the curtain, only a few inches across and resting next to the cabin wall, is known as Queen Romana’s Veilette. Its purpose is purely psycho-social.
The term “Queen Ramona’s Veil” comes from the name commonly used for the wood-and-iron gate employed by the overly paranoid and little-known British Queen Ramona II to separate her highness from the filthy hordes sometimes present in the steerage portion of her royal sailing ship. Mention of the barrier is made in the English dirge “The Death of Queen Ramona at the Hands of the Filthy Hordes.” (Can you tell that I rarely get to fly business class?)
seatemic (pronounced see-uh-tehm-ic) Your connecting flight is delayed and you have no time to spare so when it lands you run as fast as you can (and by “as fast as you can” I mean a combination of running, jogging, speed walking, walking, stopping, and wheezing) across the airport and arrive at your gate just as they’re closing the door and you speed down the gangway and board the plane and force your carryon into something close to an available slot and find your seat and quickly strap in so the plane can take off. . . . Now all you can do is sit still, sweating, with your heart racing and your veins coursing with adrenaline. Your body is in a fight-or-flight response but something tells you this is a different kind of flight. If you are suffering from these symptoms, you are seatemic.
no-watch list Movies on this list are not allowed to be shown in-flight. The list includes Red Eye, Airborne, Non-Stop, Flightplan, Snakes on a Plane, Quarantine 2: Terminal, and Plane of the Living Dead. And, yeah, some of these shouldn’t be shown on the ground, either.
altivism Gazing out of an airplane window, seeing the new landscape below, and feeling joyfully overcome with the real and imagined possibilities.
post-ping che-klatches The sound of seatbelt buckles popping open the instant the plane stops at the gate and passengers hear the OK-now-you-can-get-up tone. This allows those in window seats to immediately grab their carryons, put them where they were just sitting, and wait, hunching under the overhead bins.
welwelwel-ke-come This is the glorious sound of the immigration agent thumbing through your passport looking for an empty page—and then adding the stamp that says you’re free to enter.
dyslistening The condition by which your over preparation for answering an expected question in another language overwhelms your auditory senses and you answer the query you’ve anticipated, no matter what is actually said, as in responding to “How many would you like?” with “Yes, but no ice, please.”
visatrig The act of trying to predict which agent in the office will be the most likely to give you your visa or other important document and then conducting complex calculations concerning the number of people in line in front of you to see if you will get the agent you hope for. A domestic version of this is sometimes encountered in the DMV.
unchewing The physical and mental reaction that occurs when you realize that the chocolate-covered, cream-filled donut that you just took a bite of in your host country is in fact not a donut and that’s not chocolate and the filling might very well have gristle in it.
What could be more important to missionaries than the mission?
But talk about the supreme importance of the work of the church can be used to silence those who would expose sin in the church. Russell Moore pointed this out last month, writing in Christianity Today about Guidepost Solution’s investigation into sexual-abuse claims, and allegations of coverup, in the Southern Baptist Convention. Guidepost’s findings include an email sent by the executive vice president and general council of the SBC’s Executive Committee, in which he comments on those bringing accusations against the SBC:
This whole thing should be seen for what it is. It is a satanic scheme to completely distract us from evangelism. It is not the gospel. It is not even a part of the gospel. It is a misdirection play.
This line of thinking has played out on the mission field, too, as can be seen in published reports on the treatment of victims of child abuse overseas. For example, in 1997, the Christian and Missionary Alliance’s Independent Commission of Inquiry reported on claims of abuse at Mamou Alliance Academy, a boarding school in Guinea run by the C&MA from 1950 to 1971. About the students at Mamou, one missionary mother told the commission,
They were never allowed the freedom of expressing their hurts, their problems, their emotions to us. Each week the obligatory letter was not only read but censored, and forced to be rewritten if it appeared at all negative. This destroyed a vital link that could have helped maintain a fragmented family bond. They were repeatedly told not to share adverse happenings either by letter or by word on vacation with parents, lest it upset the parents and interfere with the work they were doing for God. The hidden message to the child was that God was more important, work was more important to the parents that [sic] one’s own child.
The commission summarized the reasoning behind censoring letters as “Children were advised not to upset their parents, lest their ministry to Africans be compromised and Africans left to their pagan ways.”
In 2010, GRACE (Godly Response to Abuse in the Christian Environment) reported on its findings concerning New Tribes Mission’s Fanda Missionary School, in Senegal, which boarded children from the mid 1980s to 1997.
“Raise your hands in the air as high as you can,” says the motivational speaker on the stage. Then, looking over the crowd reaching skyward, he says, “Now, reach higher,” and they comply. The lesson? You can always do more, even when you think you’ve done as much as you can.
“I’ll give it 110%,” we say.
“Leave it all on the court,” they tell us.
But pushing ourselves beyond our limits can lead to burnout. When that happens, we can’t function anymore, and that’s not a good thing. And yet, for a cross-cultural worker, being burned out can feel like a respectable reason for leaving the field. I have nothing left to give. I’m spent. I worked too hard.
When my wife and I moved back to the States, I sometimes said it was because we were burned out, and that may very well have been true. But there were other times when I felt I didn’t deserve the label. It seemed that it should be reserved for the ones who’d worked a lot harder than I had.
“It’s better to burn out than to fade away,” we sing.
According to the WHO’s International Classification of Diseases, Revision 11, “burn-out” is an “occupational phenomenon” (rather than a medical condition). It is defined as “a syndrome conceptualized as resulting from chronic workplace stress that has not been successfully managed,” showing itself in
feelings of energy depletion or exhaustion,
increased mental distance from one’s job, or feelings of negativism or cynicism related to one’s job, and