My alma mater, the University of Missouri, is known for its School of Journalism. And the School of Journalism is known for the quality of work done by its graduates.
Two of those graduates have been featured this year in Mizzou Magazine for their international-themed documentaries, in which people courageously face the challenges before them.
Afghanistan: No One Should Be Forgotten
In the winter issue, Mo Scarpelli talks about her motivation for making documentaries. “The stories I’m interested in,” she says, “inform and provoke people to learn about something or start questioning things in their world.” It is this mindset that led her, and fellow director/producer Alexandria Bombach, to film Frame by Frame, which follows four photojournalists in post-Taliban Afghanistan.
One of those four is Massoud Hossaini, who won a Pulitzer Prize in 2012 for his photo showing the aftermath of a suicide bombing in Kabul.
When the Taliban were overthrown, taking photos became legal again. But with the withdrawal of US troops, Hossaini and others are concerned that their rights will once again be lost. “This is a big possibility that the world . . . I mean . . . forget us again,” Houssaini says in the documentary. He doesn’t believe that anyone should be forgotten:
The world now is like one body, so all the member of this body should know that one member has a pain. And they should feel this, and they should know, and they should find out.
Kilimanjaro: More than a Hike
Steve Remich, another MU alum, is the videographer and co-editor behind Life in Motion: Kilimanjaro 2014. The short documentary shows Alex D’Jamoos, a young man without legs, and others climbing Mount Kilimanjaro. Their trek was sponsored by the Happy Families International Center (HFIC), a non-profit that helps disabled children in orphanages get the medical care they need.
In Mizzou Magazine‘s fall issue, Remich says his hope in the documentary is to show something larger than just a climb up Kilimanjaro:
With the video, I really wanted to tell a short story that was about more than a hike. Sure it’s physically difficult and you wonder if you can make it to the top, but the entire point of hiking the highest mountain in Africa on prosthetic legs is about the symbolism of the act. Alex said something very powerful in one of our interviews, essentially that walking—for him—is not about mobility but about being normal. That really stuck with me, and I did my best to build a story around that idea.
D’Jamoos came to the US for surgery when he was 15 and was adopted by a family in Dallas soon after. He’s now a student at the University of Texas, planning to become an international lawyer.
“Even now, it’s surreal to me that I am a UT student,” D’Jamoos tells The Alcalde, the alumni magazine of The University of Texas. “It sounds a bit crazy. You know, ‘disabled Russian orphan comes to America, goes to college, climbs Kilimanjaro?’ Well, yeah.”
(Kelsey Allen, “Frame by Frame,” Mizzou Magazine, November 11, 2014; “Life in Motion,” Mizzou Magazine, August 19, 2015; Rose Cahalan, “The Climb,” The Alcalde, Jan/Feb 2015)
[photo: “Kili 56,” by Sam Haley, used under a Creative Commons license]