He Said, She Said: Believe in the Darkness What You Have Seen in the Light
November 1, 2016 § Leave a comment
I began my post “In the Light, in the Dark, Remember,” with a quote from Joseph Bayly (1920-1986):
Don’t forget in the darkness what you have learned in the light.
I trust Phillip Yancey, who writes that Bayly said it, but I couldn’t find a specific citation and I was curious if it was original to him. Then I got a copy of Miriam Rockness’s A Blossom in the Desert: Reflections of Faith in the Art and Writings of Lilias Trotter, a collection of the missionary artist’s thoughts, paired with her watercolor paintings. This is the same Lilias Trotter that I wrote about back in July. In the book, I found these words:
Believe in the darkness what you have seen in the light.
When I saw this, I contacted Rockness, through the blog she writes about Trotter. When I asked her about the source of the quotation, she replied,
This is one of my favorite Lilias quotes. It was taken from her diary, 10 August 1901. She was taking a “break” from the heavy load in N.A. and, after having a reunion with her brother in Zermott (Switzerland) she sought a place even higher in the mountains to “be alone with God.” And, here, as always seemed to be the case for Lilias, God “spoke to her” through His Handiwork. She writes, “‘Believe in the darkness what you have seen in the light’ – That was this mornings ‘first lesson’ – For when I opened my shutters about 5.30, there was a lovely clear happy morning sky above the grey gold rocks a[nd] glistening snow of the Weirshorn & Roth-horn. While a thick bank of white cloud lay below in the valley – Half an hour more & it had risen around us till there was nothing to be seen but a few dim ghosts of trees. Yet one knew having once seen that sky, that a radiant day was coming, & that the clouds could do nothing but melt. And me[lt] they did, the peaks glimmering like far off angels at first, & clearing till they stood out radiant & strong, with the fogs dropped down to their feet like a cast off mantle. All depended on what one had seen first.”
Elsewhere in her blog, Rockness puts the quotation in more context, describing the “heavy load” that Trotter had experienced in North Africa:
It is interesting to note that when Lilias recorded the above statement of faith in her diary, she was in the midst of an unprecedented and sustained period of challenge in ministry. After more than 3 years of political opposition and spiritual oppression, their work had come almost to a halt. Activities in Algiers and itineration in Algeria were severely curtailed as they were dogged by the shadow of suspicion. Even their most beloved Arab friends pulled away in fear of being identified with them.
(In this post, Rockness shows the date for Trotter’s journal entry containing the darkness/light phrase as August 16, 1901.)
In A Passion for the Impossible: The Life of Lilias Trotter, Rockness writes that the difficulties faced by Trotter included the investigation of English missionaries by the ruling French government and the targeting of young Algerian converts by sorcerers using poison and “black magic.” Also, a missionary family that had come to help in the ministry left after six months, unable to meet the demands of caring for their three children in Algeria.
Trotter writes in a journal entry from 1897,
One literally could do nothing but pray at every available bit. One might take up letters or accounts that seemed as if they were a “must be”—but one had to drop them within five minutes, almost invariably, and get to prayer—hardly prayer either, but a dumb crying up to the skies of brass.
For Trotter, during difficult times, the skies could turn to brass and clouds could obscure the sun and envelop the world around her. But she had seen the “clear happy morning sky,” and she knew that a “radiant day was coming.” It “all depended,” she writes, “on what one had seen first.”
John Ruskin, Trotter’s good friend, and artistic mentor earlier in her life, had had his own encounter with the Swiss town of Zermatt (Zermott) years before. As a young man in 1844, he captured the scene there in the watercolor below.
(Miriam Rockness, ed., A Blossom in the Desert: Reflections of Faith in the Art and Writings of Lilias Trotter, Discovery House, 2016; Rockness, in response section of “Lilias Trotter Symposium,” Lilias Trotter, August 17, 2016; Rockness, “Believe!” Lilias Trotter, July 28, 2012; Rockness, Passion for the Impossible: The Life of Lilias Trotter, Discovery House, 2003)
[photo: “Switzerland-55,” by Strychnine, used under a Creative Commons license; John Ruskin, Zermatt, public domain, from artinthepicture.com]