December 22, 2017 § Leave a comment
“This Airport’s Christmas Tree Was So Offensively Ugly They Had to Take It Down”
[T]he people of Beirut, Lebanon were far from pleased with the Christmas tree that was standing in Rafic Hariri International Airport this season.
It wasn’t just ugly—it wasn’t really a tree. The structure was actually made of metal, fire extinguishers, life vests, and other recycled airplane parts.
The tree was actually commissioned as part of an environmental initiative from Middle East Airlines in order “to raise awareness about environmental protection and to prevent logging and awareness on the recycling process.” However, most people traveling through the airport couldn’t really get past the idea that they were looking at what was basically a Christmas tree made of garbage.
. . . . .
After many complaints, the tree was removed from the airport.
Andrea Romano, Travel and Leisure, December 15, 2017
April 13, 2017 § 3 Comments
I once heard a friend (and fellow missionary at the time) say something on the order of
Missionaries are like manure. Pile them all together and they stink, but spread them out and they do good things.
He isn’t the only one who’s used fertilizer imagery to point out that missionaries tend to cause each other problems when they’re in close proximity to each other. But where did the missionary-manure comparison originally come from?
Well, one blogger cites a quotation from Luis Palau, in which the evangelist credits a Wycliffe missionary in Mexico for coming up with the phrase, after watching a cow walk by. But that doesn’t quite jibe with the testimonies of others (including Philip Yancey, in Church: Why Bother? [Zondervan, 1998]) who claim that Palau applied the simile to the church:
The church is like manure. Pile it together and it stinks up the neighborhood; spread it out and it enriches the world.
Comparisons of manure with types of people aren’t limited to only “missionaries” and “the church,” though all the ones I’ve been able to find do concern people who have an involvement with religion. Consider these examples:
The reference to “ministers” above is from a sermon by William Sloane Coffin, given in 1978, in which he says he heard the correlation to manure from a “distinguished theologian” twenty years earlier. That version is
Ministers are like manure: spread out in the field they have a certain usefulness. But when brought together in a heap, well, the odor gets pretty strong.
But a more precise earlier dating comes from the Proceedings of the Nineteenth Annual Meeting of the State Bar of California, volume 19, published in 1950. In it, the speaker refers to his “dear friend Lord MacMillan,” who tells about a Scottish minister who couldn’t bring himself to attend synod meetings, saying,
Ministers are like manure; when they are spread out over the land, they are very beneficial to the community.
But people aren’t the only things that are like manure. Nope, not just people. There’s
This last one is significant, because it deals with money, which leads us closer to the great-great-grandfather of the “is like manure” idea. But first lets take a look at a great aunt . . . from the mouth of Dolly Gallagher Levi.
In 1953, Thornton Wilder wrote the play The Matchmaker, a revision of his earlier work The Merchant of Yonkers, from 1938. In it, Dolly quotes her late husband, Ephraim:
Money, I’ve always felt, money—pardon my expression—is like manure; it’s not worth a thing unless it’s spread about encouraging young things to grow.
In 1964, The Matchmaker was made into the musical Hello, Dolly! which then became a movie in 1969. (The about in the above line becomes around in the musical versions.) This is probably where “money is like manure” gained the most attention in modern times, but it certainly didn’t originate there. Over a hundred years earlier (August 20, 1836, to be exact), Horace Greeley’s The New-Yorker included this “adage”:
Money is like manure, of no use until it be spread.
And now we get back to the oldest relative of the phrase—at least the oldest one that’s been found in print. It’s from Francis Bacon’s Of Seditions and Troubles, way back in 1625:
Above all things, good policy is to be used, that the treasure and monies in a state be not gathered into few hands; for, otherwise, a state may have a great stock, and yet starve: and money is like muck, not good except it be spread. This is done chiefly by suppressing, or, at the least, keeping a strait hand upon the devouring trades of usury, engrossing, great pasturages, and the like.
Where did Bacon come up with this? Well, in the same year, he also published Apophthegmes New and Old. Collected by the Right Honourable, Francis Lo. Verulam, Viscount St. Alban. One of these apothegms (wow, I just looked that word up and found out I’ve been mispronouncing it) he ascribes to a Mr. Bettenham:
Mr. Bettenham used to say; That Riches were like Mucke: When it lay, upon an heape, it gave but a stench, and ill odour; but when it was spread upon the ground, then it was cause of much fruit.
In a letter written to Thomas Hobby, Bacon references the death of his friend “Mr. Bettenham” (The Letters and the Life of Francis Bacon [collected by James Spedding, 1868]). Assuming this is the same person from Apophthegmes, the saying would have to predate 1606, when Bacon penned the letter.
So all told, that’s a more-than-400-year history, which means my friend didn’t come up with the idea on his own. And neither did J. Paul Getty or Will Rogers or J. I. Packer or an acquaintance of Francis Chan. No, the complete line of succession is not nearly so straightforward . . . or recent. Rather, to quote another quotable source, the venerable REO Speedwagon, it instead hews closer to (sing along with me)
Heard it from a friend
who heard it from a friend
who heard it from another. . . .”
And so it—usually—goes.
[photo: “Cow Manure,” by Ian Barbour, used under a Creative Commons license]
February 3, 2017 § 2 Comments
In my last post, I talked about imagining God, the father, the king, singing to us.
This post is about someone singing to a king—not the heavenly king, mind you, but Sweden’s King Carl XVI Gustaf, and Queen Silvia and Crown Princess Victoria, as well. Turns out that’s not easy, even for a musical superstar.
As organizers planned last year’s Nobel Prize awards ceremony, they asked Patty Smith to perform at the event. Then, when it was announced that her friend Bob Dylan had been named the Nobel laureate in literature, she chose to sing his “A Hard Rain’s A-Gonna Fall.”
You’ve probably heard how she faltered during her performance and had to stop singing. She writes in The New Yorker that she was struck with an “overwhelming case of nerves.” It wasn’t that she’d forgotten the words, she says (though who could blame her, there are so many words in that song), she just couldn’t “draw them out.”
“I’m sorry,” she said meekly to the crowd as the orchestra softly played behind her. “Sorry.” She looked at the conductor, standing close by. “I’m sorry. Could we start that section?” And then to the audience, “I apologize. I’m so nervous.” The people responded with applause.
On the video of her performance, you can hear the announcer narrating the restart sotto voce, sounding as if he were calling a golf tournament. Smith gathered herself and completed the song, overcoming another, smaller lapse on the way.
It was not lost on me that the narrative of the song begins with the words “I stumbled alongside of twelve misty mountains,” and ends with the line “And I’ll know my song well before I start singing.” As I took my seat, I felt the humiliating sting of failure, but also the strange realization that I had somehow entered and truly lived the world of the lyrics.
My guess is that Smith spent the night replaying her mistakes over and over in her mind. How could she fail on such a grand, international stage? But that wasn’t the end of it.
When I arose the next morning, it was snowing. In the breakfast room, I was greeted by many of the Nobel scientists. They showed appreciation for my very public struggle. They told me I did a good job. I wish I would have done better, I said. No, no, they replied, none of us wish that. For us, your performance seemed a metaphor for our own struggles.
There’s another phrase in the last stanza of “A Hard Rain’s A-Gonna Fall” that grabs my attention. It’s “Then I’ll stand on the ocean until I start sinkin’.” I don’t think it’s too much of a stretch to think that Dylan, who is fond of biblical imagery, had the apostle Peter in mind when he wrote that. It was Peter who stepped out of the boat to meet Jesus, who was walking on the water. It was Peter who saw the waves and began to sink. It was Peter who then called out to Jesus, “Lord, save me!” And it was Jesus who reached out and caught him.
An artist lip syncing a song in a pre-packaged, flawless performance. How many times do we see that and move on, quickly letting it slide from our memory? Someone stepping out into the rain and waves, and struggling publicly, struggling beautifully, showing that struggles aren’t the same as failures. That I’ll remember for a long time.
(Patti Smith, “How Does It Feel,” The New Yorker, December 14, 2016)
January 28, 2017 § Leave a comment
Imagine getting a handwritten invitation from God the Father requesting your presence for a meeting. You quickly get ready, and you’re on your way. When you arrive at his door, you knock twice and hear, “Come in.” You turn the knob, push the door open slowly . . . and there he is.
But before you enter, let’s back up a second. How’s your imagination? What kind of invitation did God send? What about his handwriting? What sort of clothes are you wearing to your meeting? Formal? Business casual? Shorts and flip flops? And his door, is it simple or ornate? What kind of voice does he have? And what does God look like?
For many years, I could most easily picture God sitting on a throne, an ancient sculpture come to life. He had long hair and a long beard, and he must have been at least 10-feet tall, as he was large enough for me—even as an adult—to crawl up onto his lap and burrow my face into the billowy robes that flowed down from his shoulders.
I like that image, and it still gives me comfort. But it’s not always the one that now first comes to my mind. Instead, I sometimes think of God standing before me with his arms crossed, a disappointed look on his face. On a particularly bad day, he uncrosses his arms to shake a finger at me. This change in how I view God seems to have come about sometime overseas, when I realized that my accomplishments and abilities weren’t matching my own expectations and what I thought were the expectations of others.
What does God look like to you? I’m not talking about God appearing in a bona fide vision. I’m thinking of how your imagination pictures him being present—right in front of you. It’s an interesting question for missionaries, relief workers, and the nationals next door. It’s an interesting question for all of us, because the answers we give tell a lot about who God is to us and about how we see our relationship with him—about how we see ourselves and think God sees us. Does he resemble your father, president, prime minister, or king? Does he look like a church leader or a boss you’ve known? Does he give you his full attention, or is he busy with the crowds around him? Does he have your features, or is he a foreigner?
Continue reading at A Life Overseas. . . .
December 28, 2016 § 1 Comment
I recently wrote about Steve Saint’s travels with Mincaye, when Steve—the son of martyred missionary Nate Saint—was logging thousands of miles on his way to speak to thousands. But that was before an accident in 2012, while testing an experimental wing at I-TEC, that left him as an incomplete quadriplegic.
Since then, Steve has openly shared about his struggles and pain. In a post he wrote last month at the I-TEC blog, Steve talks about his feelings of insignificance. “It is hard to feel very important when Ginny has to help dress me and when I need a bib at dinner time,” he writes. “But then when I’m lamenting that I no longer count I’ll get a letters from someone thanking me now for trusting God in suffering. Go figure.”
I’d like to add my vote saying that Steve still counts. I am so grateful for his honesty, for his willingness to be vulnerable. He is truly serving through his scars.
Here is how he begins his post:
About half of the time I can only function at about 4 on a scale of 1 to 10. Then, with no warning I crash to about 1 or 2 in 10. I lose the tiny bit of feeling in my hands, the bands around my body begin to clamp down so tightly that I go into spasms just trying to stand up. But worse than the physical torment I struggle with, the increased pain is accompanied by an involuntary hardening in my “heart”. I sing along in church and hear preaching that used to move me, and I feel nothing.
But, the physical pain and spiritual feelings take second place to an almost constant sense that my life has no significance anymore. But I’m not the only one struggling to have my life count. . . .
I hope you’ll take the time to read the rest of “No Count People?”
And on the topic of letting others see us as we are—if you haven’t watched it yet (or if you’d like to watch it again), here’s Brené Brown’s TED Talk entitled “The Power of Vulnerability,” in which she says,
I know that vulnerability is the core of shame and fear and our struggle for worthiness, but it appears that it’s also the birthplace of joy, of creativity, of belonging, of love.
(I’m sure this makes me a prude, but before you gather the kids around the computer to listen to a video that Uncle Craig recommended, please note that it has a touch of PG language.)
December 22, 2016 § Leave a comment
I have a soft spot in my heart for nativity sets. I think it’s because the cast is familiar and recognizable, so much so that it can be altered to fit any culture and we still know what it is. It’s kind of like hearing “Silent Night” sung in many languages. We may not understand it, but we understand it. Variations on a theme.
But, of course, not all cultures know the significance of the nativity figures. While we were living in Asia, a few blocks away from our house there was a knick-knack store that during Christmastime was filled with Western decorations. Here’s what I wrote about that in a newsletter, 13 years ago:
Amongst the jumble of holiday odds and ends are the scattered pieces of a few nativity sets. On one shelf is a shepherd standing next to a Christmas tree. On another is a stable with only a wise man and Joseph. Without the infant Jesus, there’s no nativity, and the figures become just people staring at the ground, elbowing for space in between the rows upon rows of Santa Clauses.
Finish reading at A Life Overseas. . . .